Life for a White Actor in Hollywood
What follows is an interview conducted by talk radio host James Edwards with a professional actor who has appeared in film, television, and theater for over 50 years. We guarantee you have seen him on screen, on stage, or heard his voice. For obvious reasons, this actor prefers to use the pseudonym Jack Antonio for fear any honest interview would get him blackballed from receiving further work in Hollywood.
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James Edwards: What is it like working with A-list celebrities while having traditional beliefs and not being ashamed of being a White man? Take us behind the scenes, so to speak.
Jack Antonio: On film, TV, and commercial sets, there is very little time to socialize. The producers want to get the A-listers finished and off set ASAP because they are so expensive. I’ve had friendly disagreements about politics with major stars a few times. I did have a very loud argument on set with an obnoxious star who was praising BLM and Antifa during the Summer of Floyd. The Assistant Director intervened and called for an early lunch break. The star and I avoided each other for the rest of the shoot. In theatre, you are around each other much more during rehearsal and then during what you hope will be a long run. I had a very loud disagreement with a star during the 2nd Iraq War. He supported Tony Blair. The rest of the company was with me, so I had back-up.
Edwards: How have you been able to work continuously for so long? And do more actors share your concerns than the media would let on?
Antonio: I’ve always hustled for work and sharpened and expanded my talents. I’m known to be versatile, pleasant, and professional. I can also learn lines and moves very quickly. I give directors what they want in one take. Many actors, alas, are stupid and lazy. I can’t say that there are legions of unabashed pro-White actors out there. But there is a significant minority who are at least Right-lite. I will often test the water in the dressing room or rehearsal hall with a politically incorrect quip and will catch knowing, approving looks from some of the cast. Many White actors’ eyes are being opened by the obvious hypocrisy of supposedly “color blind” casting. That is, blacks can play White roles but not vice versa. Black lesbians get to play King Lear, but I can’t play Harriet Tubman. How come?
Edwards: You have been an actor working for more than fifty years at the top level of international show business. What have been the biggest changes you have seen in that time?
Antonio: White actors have been marginalized and even erased from the very industry and culture we created. Since the end of WWII, there has been an organized strategy to replace us in plays, films, sitcoms, commercials, computer games, and even cartoons. At last, Whites are daring to protest the number of non-White faces they see on their screens and stages. In fact, in the UK, there was a recent unbiased study that showed how ridiculously disproportionate the number of non-Whites in commercials is to their actual number in the UK population.
Edwards: How did this happen?
Antonio: Your audience is aware that the Cultural Marxists targeted the arts in the 1930s. They infiltrated the performing and fine art schools and indoctrinated the White students to hasten and even accept their replacement. I saw productions of Romeo and Juliet in the early 1960s with a White Juliet and a black Romeo. The Marxists, who were overwhelmingly Jewish, slimed into publishing, advertising, and academia. I have consistently encountered this while working on productions around the world.
Edwards: How does it work in advertising?
Antonio: When liberals say it is a coincidence that there are so many non-Whites in the ads, they are just plain stupid. I have starred in commercials for top brands worldwide. I have seen clients, directors, and designers almost come to blows over the color of my necktie. Are you telling me that they don’t agonize over the color of the family in their ads? That they don’t deliberately place black men with White women? Nonsense. The word has come down from, I believe, even above corporate headquarters to push the anti-White race-mixing agenda. I can’t tell you exactly who tells General Mills or Ford to get in line, “or else,” but it is a powerful hidden hand.
Edwards: You lived in England for many years. Is it the same there?
Antonio: It’s worse. Many Americans think Britain is just like Downton Abbey. It ain’t. Many of the major cities in the UK are now governed by Muslim mayors. (We just lost New York.) In fact, the town of Rotherham, the epicenter of the Pakistani rape gangs who preyed upon vulnerable White girls, now has a female Muslim mayor who can barely speak English! The United Kingdom has been betrayed by the Royal Family, its government, and the BBC. King Charles kisses so much Muslim butt I’m amazed he can stand up straight. When not blatantly lying about Trump, the BBC churns out historical dramas in which Anne Boleyn is black, the Vikings look like The Jackson 5, and the British army on D-Day looks like the Harlem Globetrotters. Meanwhile, the Labour Party, under the war criminal Tony Blair, created an English version of our disastrous 1965 Immigration Reform Act. Blair flooded the UK with non-White immigrants. That outrage was managed by the Jewish minister Barbara Roche just as ours was managed by Javits and Celler in New York.
Edwards: What is another change you’ve seen in the performing arts?
Antonio: All of the arts in the US and UK have been feminized. Just as I watched Brits become obese in my thirty years there (thanks to American fast food) I watched their culture become degenerate and deballed. Everything has become cute and girly. This is because on both sides of the Atlantic, girls rule the roost. I was shocked when I returned to America to find a country ruled by humorless, censorious harridans. Many of them are embittered childless scolds determined to take their misery out on everyone, especially men. They are the Cat Ladies that J.D. Vance quite rightly ridiculed.
Edwards: Where did they come from?
Antonio: I trace them to the social reformers of the early 19th century who harangued men about marriage, money, and meat. Then came Harriet Beecher Stowe, whose preposterous, sentimental novel, Uncle Tom’s Cabin, was a major force leading to the War of Northern Aggression. Then came the suffragettes. (I hope we can agree that giving women the vote has been an unmitigated disaster.) Then we had the singularly unpleasant Margaret Sanger of Planned Parenthood. Maggie managed to kill several of her children by neglect, which is a novel form of birth control, to say the least. Next came Eleanor Roosevelt, who was a loudmouth witch who practically ruled the country for ten years while the crippled FDR hid and convalesced. And, finally, the decidedly Jewish Second Stage Feminism of the Sixties gave birth to our current crop of miserable, blue-haired, pierced, tattooed, faux-females called Cat Ladies.
They run just about any cultural or civic organization you can name, from choirs and book clubs to police and fire departments. In fact, they run cities and states. We just had two more elected governor! And their unfulfilled nurturing instincts have taken a perverted turn. With no children to care for, they adopt blacks, homosexuals, transexuals, and, of course, cats. Lots and lots of cats. You can spot these psycho-sexual misfits running around with their pink hair on fire at any protest de jour.
Edwards: Where are the men?
Antonio: Well, you should ask. Many are so tired of being harangued and belittled that they have abandoned ship and become incels. Young men have been bombarded with anti-male propaganda and poisoned by chemicals since birth. Their t-count is tragically low. Many are saddled with mommies who have serious male issues and take those out on junior. Take note of how often it is mommy who pushes for Sonny Boy to be castrated. There has always been a Battle of the Sexes, but heretofore it has been a healthy jousting before bed. Now it is an ugly, hateful suicide pact.
Edwards: Where do you find hope?
Antonio: Hope can be found in Mother Nature. Note that men have retreated to video games in which they can pretend to be warriors and superheroes. Note that women have made romance novels and rom-com movies the most popular genres. The natural desire for normal sexual relations can never be completely extinguished. If we can find a way to rekindle our generative spark, nature will take care of the rest. You may think I’ve been watching too many rom-coms myself. But the awful truth is that we either rediscover the Adam and Eve in our kind and heal this rift between men and women, or we perish.
Edwards: Final thoughts?
Antonio: The America I left in 1990 was not full of autism. I know the diagnosis of autism has been broadened, but that is a separate issue. I tell you that when I returned to America thirty years later, I was shocked by how many people were “on the spectrum.” I’m not a doctor or scientist, but I sense that a combination of factors, such as arsenic added to vaccines to extend their shelf life and increase profits, combined with chemicals in the air, food, and water, has poisoned us. And this may be partly responsible for our current sexual malaise. Somehow, someway, someone has stolen our mojo. We gotta get it back!
Postscript: Jack Antonio is the pen name of a working actor who is currently starring in a major stage production. He is the author of Boy Outa Brooklyn — a murder memoir. It is available on Amazon as a paperback and e-book.
https://www.thepoliticalcesspool.org/jamesedwards/life-for-a-white-actor-in-hollywood